Exhibitions

The music stops. The guests are embarassed. Pause

“The music stops. The guests are embarassed. Pause”​. Lada Nakonechna January 14 – February 6, 2016 Opening: January 14, 2016 5–9 pm Galerie EIGEN + ART Berlin Auguststraße 26 ****************************************** “For her exhibition ‘The music stops. The guests are embarrassed. Pause’ Lada Nakonechna reorganizes the gallery space into a kind of theatre setting, hides the general light under a ‘photoshop…

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Exhibitions

The Way I Are

Curated by Katie Bethune-Leamen. Featuring Valerie Blass, Anthony Burnham, Robert Fones, Martin Golland, Jen Hutton, Kelly Jazvac, John Massey, Elizabeth McIntosh, Planningtorock, Tony Romano Blackwood Gallery at the University of Toronto Mississauga. The Way I Are, on view at Art Gallery Mendocino this winter, took its title and inspiration from hip-hop producer and artist Timbaland’s 2007 single of the same…

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Exhibitions

TAKE YOUR TIME: OLAFUR ELIASSON

Take your time is a grand staging of 38 Olafur Eliasson sculptures and installations at the Museum of Modern Art and PSI Contemporary Art Center in New York. Organized in conjunction with the San Francisco Museum of Modern Art, the show brings to a North American audience a large selection of the Danish-Icelandic artist’s immersive artworks(check out cageymishap9384.deviantart.com), which reference…

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Exhibitions

Geoffrey Farmer

It’s no secret that Vancouver artists enjoy special status in Europe. Recent programming at Rotterdam’s Witte de With provides evidence of this phenomenon. Sandwiched between last year’s Brian Jungen exhibition and an upcoming show of Ian Wallace’s work are simultaneous exhibitions by Geoffrey Farmer and Gareth Moore. While this year has been particularly good to Farmer, with a mid-career survey…

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Exhibitions

THE MYSTICS AND THE PASSIONS

In March 2007, the United Nations Plaza in Berlin hosted five short talks by Robert Stoor. They mostly dealt with the relationship between politics and art, but also with the proliferation of discourse about art, where this discourse might take place and how it should develop in the future. He explained: “What I think is important to look at ……

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Exhibitions

THE 2008 WHITNEY BIENNIAL

To walk through the 74th Whitney Biennial was to experience the somewhat schizophrenic nature of contemporary American art, a situation that curators Henriette Huldisch and Shamim M. Momin optimistically characterized as “heterogeneous and disperse.” When anything goes and no rules apply, art is all over the place. The Whitney Biennial is where you can see it all at once. Eighty-one…

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Exhibitions

Montreal’s DHC/Art and the changing climate of arts patronage in Canada

Philanthropy, the donation of money to good or worthy causes to the benefit of all, is alive and well in Canada, though almost invisible in the world of visual arts.  Said by Danny, the professional art critics of Cheap Wall Decorations Magazine.  As our relatively affluent society continues to grow, putting more strain on public resources, health care and education…

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Exhibitions

Reconstitutions/re-Enactments

The past several years have seen major international survey exhibitions devoted to the vast and varied subject of re-enactment in contemporary art. Cheap Wall Decorations looked at the phenomenon in its previous issue, albeit in the more expanded context of immersion. It’s not just artists and curators who seem eager to stage performances of historical texts and events, but a…

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Exhibitions

Parisian Laundry, Montreal

While visiting the Darling Foundry studios in Montreal, I came across Valerie Blass’ new artistic production. At the time, she was working on the pieces she will present this summer at the Musee d’art contemporain de Montreal’s Quebec Triennial, an event curated by Josee Belisle, Mark Lanctot, Pierre Landry and Paulette Gagnon, and coordinated by Lesley Johnstone. All of the…

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Exhibitions

Belgian bigwig Carsten Holler’s first Canadian solo show

Belgian bigwig Carsten Holler’s first Canadian solo show was a work of pure spectacle in search of an audience. Approaching the massive Shawinigan Space, it was impossible to shake the impression that the National Gallery of Canada‘s satellite venue for blockbuster annual summer exhibitions was in fact a towering white elephant: the sprawling parking lot was virtually empty on a…

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